Anita Andriesse (1953-2004) Sitting nude "Halfweg"

About this piece

The sculpture Halfweg by Anita Andriesse is a beautiful example of her craftsmanship and emotional expression. The choice of a seated nude as the subject speaks volumes about her ability to capture the human form in an intimate yet powerful way. The woman, who "makes herself small" in this sculpture, seems to convey a story of vulnerability and introspection, adding depth to the work. The use of bronze ensures that the form, despite its delicate appearance, remains strong and timeless.

The variety of perspectives the sculpture offers makes it particularly intriguing. Different angles highlight different aspects of the emotion or the form, creating a dynamic effect. This makes it a piece of art that, as you describe, continues to captivate and invites further examination.

The artist's signature, the year '98', and the edition number 3/8 provide important context not only for the artwork as an object, but also in terms of its limited production. The fact that it was previously exhibited in the Singer Museum underscores the artistic value and recognition Anita Andriesse received for her work.

Regarding her background, it's interesting to note that she was trained at the Rijksacademie voor de Beeldende Kunsten and developed her own style as a student of Karel Gomes. Her membership in the Onafhankelijken (Independents) group indicates that she was actively engaged in the Dutch art community, allowing her work to reach a broad audience.

Literature:
- Beeldend Benelux-Biografisch handboek, deel I, P 77.

Condition

Excellent, the stone pedestal is offered seperately and isn't originally part of the sculpture.